Now Playing: West of Her, at Scruffy City Film and Music Festival

12471630_1025189090885980_9085066669543739877_oThere’s more than just of whiff of mystery, even conspiracy, in the subject matter of first-time filmmaker Ethan Warren’s West of Her. Inspired by the real-life phenomenon of the Toynbee Tiles, the film follows protagonists Dan and Jane as they roam the countryside in service of a secret organization, laying linoleum tiles inscribed with a cryptic message.

But there’s also a very human story inside the puzzle, of two young people looking for purpose and meaning at a very vulnerable stage of life. “When I wrote the story, I thought a lot about what I was going through at the time,” says Warren. “I was in my early 20s, adrift, not feeling like I was a part of something bigger in life.

“So I started thinking of different angles on that. And I conceived these two characters, both of whom feel this sense of disconnect, though in different ways. Then I took a big road trip with my girlfriend at the time — she’s now my wife — and I saw this huge diversity of landscapes in the U.S., and felt the need to capture that on film. So it all bubbled together, and I set to work on the film in 2010.”

First appearing the 1980s, the Toynbee Tiles are a series of mostly linoleum tiles that have appeared, overnight, embedded in the asphalt of city streets across the U.S. and South America. Roughly the size of a car license plate, each tiles bears a some variant of the same message: “Toynbee idea; In Movie 2001; Resurrect dead; on planet Jupiter.”

There have been a number of theories advanced as to the meaning and origin of the tiles, but to date, their provenance is still uncertain. Warren found himself fascinated by the weird mix of legend and rumor surrounding the tiles, but even moreso by the nature of the human impulses underlying an effort of that scope.

“I read one article suggesting there might be a network of people behind it,” he says. “And even more interesting to me than the meaning of the tiles was the question of who would sign on to do this. Who would be the ground team, and why. Where would you have to be in your life to participate in something like this?”

And so the story of the film became, in so many ways, the story of Warren’s own evolution from a young man struggling through the confusion and ennui of his post-college years to a filmmaker with a vision and a purpose. He describes the evolution of the story itself, from short story — Warren earned his Master’s in Creative Writing at UNC-Wilmington — to novella to screenplay.

And then the journey of launching a full-length film production, an effort seeded when Warren, still an undergraduate student, took a four-week film course back in 2006. “It was very exciting and liberating, but also a lot of work,” says Warren, who called on an old college buddy, Cameron Bryson, as cinematographer and co-producer.

“I already had some idea from my film course about how to make a film guerrilla-style. And the idea was pretty simple, two characters and a car. So we realized we could do this on the same scale as our film-school projects.”

Warren says West of Her was funded largely through an Indiegogo campaign, plus a small handful of private investors. The shoestring budget necessitated careful planning, especially given the fact of the film’s shifting locales.

“I learned a lot about what it takes to make a road movie,” Warren says. “There’s renting an RV, and planning the budget over time, and all the things you have to plan for and anticipate during a road trip. Hotel rooms, lunch on the side of the road, arranging locations.

“We shot it for as little as you could shoot it for, striving to put every dollar on the screen. We focused on having good equipment, good cameras, and I think the movie looks a lot better than others shot on a similar scale. That was our priority.”

Though it offers an interesting take on a singularly strange phenomenon, West of Her probably won’t yield any answers for conspiracy buffs interested in the actual Toynbee Tiles. “My tiles are just a fictionalized version of the real thing,” Warren says. “But I do think there is a kind of moral to the story.

“It’s about two people who, through their connection to one another, come to some conclusions that hopefully audiences can connect to in their own lives. It offers a jumping-off point for people feeling lost in the world, that maybe they can relate to in a cathartic way.”

West of Her will screen Saturday, April 30 at 7 p.m. at Scruffy City Hall.

One thought on “Now Playing: West of Her, at Scruffy City Film and Music Festival

  1. Pingback: West of Her: World Premiere - Film Score and the Scruffy City Film & Music Festival

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